English articles

Branko Protić

Serbian (Yugoslav) Art after the World War 2 (Part Two)

The painting of substance was replaced by exposing a real substance on easel in the middle of the 20th century.

Mića Popović ''Self Portrait with a Mask'', 1947
Serbian (Yugoslav) Art After the World War 2

To catch up with modernity, the artist needs to refer to the past, or to break up with it. In order to do so, one should first be grounded in tradition.